|
|
Contemporary Poetry
'One
must be absolutely modern.'
Arthur Rimbaud from Adieu
|
|
| Stammers, John £8.99 <convert> 
John
Stammers brings an American sensibility and freedom to bear
on a very English - or rather, since Stammers is as Cockney
as Keats, a very London - landscape. Like Walt Whitman, he aims
to be 'large ... contain multitudes': his poems are packed,
straining to break the bounds of the moment and the form of
the poem by cramming in a plethora of sensual impressions, uninhibited
thoughts and bizarre references. Stolen Love Behaviour is funny,
clever and terrifically cool. Fortunately, it is also very warm.
| |
|
Fanthrope, U A £25.00 <convert> 
Fanthorpe's Collected Poems gathers
together ten volumes of the human and the humane, and catalogues
her recurring concerns with the individual dignity of people
and places. She is one of our great preservers, distilling histories
of individuals both famous and unknown into wise, succinct portraits.
She is a great mistress of voice, and speaks to us in many guises
from many times. Whether her work concerns our earliest ancestors
or our nearest neighbours, their failings and strengths are
always sharply delineated and immediately recognisable. Her
work is always approachable, indeed never happier than when
it draws us into caring for some neglected aspect of learning
or landscape, each deserving of our love. This makes her one
of our finest public poets, capable of addressing us all in
terms we at once recognise and are constantly surprised by.
She is a writer of commanding intimacy, always involving us
in her tenderness (there is a nourishing warmth to her love
poetry), or catching us up with the acuity of her accusations.
But it is her capacity to refigure what is worth preserving
about Englishness which makes this book a crowded and companionable
mirror to the present. | |
| Darling, Julia; Shapcott, Jo (ed.) £6.95 <convert> 
The late Julia Darling's first book, Sudden Collapses in
Public Places, grew from her experiences of being treated for
breast cancer; "[it] helped me to step out of the difficult
present and to use my imagination to be somewhere else."
Her second collection looks at the world beyond the hospital,
though still from the viewpoint of a cancer patient in the advanced
stages of the illness. The themes are familiar, but here she
writes with a wider perspective, a deeper understanding which
reach out to the heart of the human condition and the greater
mysteries of life, albeit in an understated way. This is a powerful
and deeply affecting book, completely unsentimental yet charged
with emotion - indeed, one of those rare books that have a profound
and lasting effect.
| |
France, Linda £7.95 <convert> 
Linda France's latest poetry book is an adventurous cross-genre
biography, an intimate life of the 18th-century writer, traveller,
polemicist and rebel, Lady Mary Wortley Montagu. Each of her
eleven chapters has a prose introduction to set the scene and
time, followed by a sequence of poems in which Lady Mary takes
centre stage. Inviting the reader into her world, she reveals
her unbridled appetite for life, love and learning, as well
as her fascination for detail and the foibles of human nature
from Nottingham to Constantinople. | |
|
Walcott, Derek £12.99 <convert> 
Beginning
on America's East Coast, the poem journeys restlessly through
the European continent, exploring the inheritance of the Old
World upon Walcott's native St Lucia, and sees the poet wondering
about his own sense of abandonment, as if to leave a place is
to lose it. The Prodigal is a compelling steer between exile
and belonging, Europe and the New World, wanderlust and the
inevitable pull of home. | |
Jenkins, Alan £8.99 <convert> 
Alan Jenkins’ work has always relished
exposure, whether pulling back the sheet, lifting up the stone,
or reopening the old wound, then commenting with great elegance
and self-deprecating irony on what is revealed. This latest
book deepens the note of pathos in his blacker humours, and
does so in poetry which is never less than brilliantly crafted.
The elegy dominates, and these poems are unflinching equally
in their exploration of the dead, their dying, and the thoughts
and feelings of the survivor. Parents, lovers, friends all pass,
and their passing is registered in a virtuosic series of memento
mori after memento mori as the poet stares down his own ageing
process. | | Stammers, John £5.00 <convert> 
In Buffalo Bills, John Stammers picks up where e.e. cummings'
famous poem 'Buffalo Bill's/defunct' left off. With a sly smile
and swagger, he takes a stroll through the boulevards and back
alleys of our culture, reflecting on a range of its icons. Keats,
Freud, Ghandi, Garbo, Sergeant Bilko and Helen of Troy are among
those encountered along the way | | | | | | | | |
|